Forqueray: "Pieces de Viole mises en Pieces de Clavecin" - Complete Works for Harpsichord
G. B. ANTOINE / JEAN BAPTISTE FORQUERAY: The Complete Works for Harpsichord - Ire Suite · IIE Suite · IIIe Suite · IVE Suite · VE Suite · IVE Suite
Ketil Haugsand, harpsichord Double Manual Late-Flemish type instrument, built by Ketil Haugsand, 1971
Title
Playing time
-
1 - I Allemande. La Laborde. Noblement et avec Sentiment
05:26
-
2 - II La Forqueray. Vivement et d"aplomb
03:44
-
3 - III La Cottin. Galamment sans lenteur
02:39
-
4 - IV La Bellmont. Avec Gout et sans lenteur
03:51
-
5 - V La Portugaise. Marqué et d"aplomb
03:39
-
6 - VI La Couperin. Noblement et marqué
04:25
-
7 - I La Bouron. Vivement et détaché
03:17
-
8 - II La Mandoline. Point trop vite et d"aplomb
04:10
-
9 - III La du Breüil. Louré
04:02
-
10 - IV La Leclair. Tres vivement et détaché
03:02
-
11 - V La Buisson Chaconne. Gratieusement
05:33
-
12 - I La Ferrand. Détaché, et d"une belle éxécution
04:43
-
13 - II La Regente. Noblement et Soutenu
04:28
-
14 - III La Tronchin. Mouvement aisé
03:48
-
15 - IV *La Angrave. Tres vivement
02:47
-
16 - V *La du Vaucel. Tres tendrement
04:42
-
17 - VI La Eynaud. Fierement
02:40
-
18 - VII *La Morangis ou La Plissay. Mouvement de Chaconne
07:40
-
19 - I La Marella. Vivement et Marque
03:08
-
20 - II La Clément. Noblement et détaché
03:48
-
21 - III Sarabande. La D"aubonne
04:18
-
22 - IV La Bournonville. Mouvement elevé
02:57
-
23 - V La Saincy. Gracieusement et avec Esprit
02:57
-
24 - VI Le Carillon de Passy. Légérement sans vitesse
02:41
-
25 - La Latour. D"un mouvement unpeu plus vif que la précédente pièce
01:54
-
26 - Le Carillon, d.c.
03:03
-
27 - I La Rameau. Majesteusement
03:36
-
28 - II La Guignon. Vivement et détaché
04:45
-
29 - III La Léon. Sarabande. Tendrement
04:29
-
30 - IV La Boisson. Vivement, les pincés bien soutenûs
03:57
-
31 - V La Montigni. Galamment sans lenteur
03:11
-
32 - VI La Sylva. Tres tendrement
05:31
-
33 - VII Jupiter. Modérément
03:43
It is also possible to but digital music here musikkonline.no
The complete harpsichord music of Forqueray is a powerful statement from one of the great harpsichordists and Early Music personalities of today. This music really triggers Ketil Haugsand - and the result is stunning.
The front cover of the release display the framework of instrument used in the recording, placed in a vertical position it is reminiscent of a gamba. And the music on this double disc stems from both the gamba and the harpsichord, and the story behind it is a dramatic one.
Jealousy
In the late 1600s, the music family Forqueray was well established at the court of The Sun King Louis XIV. The new Italian style was the latest fashion, and father Antoine was a gamba virtuoso. His son Jean Baptiste very quickly developed an even greater talent, evolving into the new favourite of the king. The father developed an enormous jealousy towards his son and had him imprisoned under false accusations in 1715 - and even exiled from France ten years later.
Jackpot
When father Antoine died, it only took two years before his son published the outstanding music for gamba written by his father, adding his own transcriptions and adaptations for the harpsichord. This combination turned out to make tremendous economical sense as the name of his father and the gamba gave tremendous credibility, while the harpsichord was the new and hot instrument at the time. The composer himself comments in letters that to preserve the original character of the pieces, they are put a little deep in the register. The result is a full-bodied sound that really grabs hold of the listener.
Professor Ketil Haugsand
Ketil Haugsand, professor of harpsichord at the Hochschule für Musik in Cologne, counts as one of the great harpsichordists and Early Music personalities of today. The Norwegian born musician studied among others with Gustav Leonhardt at the Amsterdam Conservatory, where he was awarded the coveted "Prix d"Excellence". He has recorded extensively in repertoire including Bach, Rameau, Marchand, Seixas and Sousa Carvalho. Haugsand has built the instrument used on this recording himself, based on a Late-Flemish type instrument.
Ketil HaugsandG. B. Antoine / Jean Baptiste Forqueray
- • www.cembalaro.com
- • PSC1317_booklet_web
- • Kritikk_PSC1317_morgenbladet-20110617_000_00_00
- • Kritikk_PSC1317_bergenstidende_del2-20110615_000_00_00
-
Release:
10.06.2011
-
EAN:
7033662013173
-
Catalog Number:
PSC1317
-
Price Category:
2CDG
Genres:
Early music | Complete
“- This is as genial, engaging and mature a musical imagination as I have heard in the Goldbergs. A truly exceptional achievement. [Grammophone on Bach: Goldberg Variations PSC1192]“
“- ...fullstendig fascinerende fremførelser av Ketil Haugsand. Han er en av tidens store cembalister... [Erling Sandmo / Morgenbladet]“
“- Både far og sønn ville ha vært vilt begeistret. [Ståle Wikshåland / Dagbladet]“
“- får musikken til å ånde og swinge og klinge som om den var skrevet i går. [6/6 Peter Larsen / Bergens Tidende]“
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